|
Nancy King
505.986.1040
Nancy@NancyKingStories.com |
| |
|
|
| |
ACADEMIC
EDUCATION |
|
| |
|
|
|
|
| |
READINGS AND WORKSHOPS |
|
| |
|
|
| |
PUBLICATIONS
(Books, Essays, Plays) |
|
| |
|
|
|
|
| |
|
Books |
|
| |
|
2008 |
Morning Light, a novel. Atelier Books: Santa Fe, NM, 329 pages. |
|
| |
|
2008 |
A Woman Walking, a novel. Atelier Books: Santa Fe, NM, 205 pages. |
|
| |
|
2005 |
Dancing
With Wonder: Self-Discovery through Stories. Champion Press: WI, 330 pages. |
|
| |
|
1999 |
Playing Their Part:
Language and Learning. Korean translation. |
|
| |
|
1999 |
Storymaking in Education and Therapy. Polish translation. |
|
| |
|
1996 |
Storymaking in Education and Therapy. Dutch translation. |
|
| |
|
1996 |
Storymaking and Drama.
Dutch translation. |
|
| |
|
1995 |
Playing Their Part:
Language and Learning. Heinemann: NH, 281 pages. |
|
| |
|
1993 |
Storymaking and Drama.
Heinemann: NH, 262 pages. |
|
| |
|
1990 |
with Alida Gersie, Storymaking
in Education and Therapy. Institute of Education Press: Stockholm,and
Jessica Kingsley Press: London, 413 pages. |
|
| |
|
1984 |
Theatre Movement: The
Actor and His Space. Japanese translation. |
|
| |
|
1981 |
A Movement Approach
to Acting. Prentice-Hall, Englewood Cliffs: NJ, 240 pages. |
|
| |
|
1975 |
Giving Form to Feeling.
Drama Book Specialists: New York, NY, 5th printing, 316 pages. |
|
| |
|
1971 |
Theatre Movement:The
Actor and his Space. Drama Book Specialists: New York, 8th printing,
175 pages. |
|
| |
|
|
|
|
| |
|
Essays |
|
| |
|
2007 |
"Developing Imagination, Creativity, and Literacy through Collaborative storymaking: A Way of Knowing," in the Harvard Educational Review, volume 77, number 2, Summer 2007 |
|
| |
|
2006 |
"Growing Stories: Toward a Stories Based Curriculum," (revised) in The Storytelling Classroom Ed. Sherry Norfolk, Jane Stenson, Diane Williams, Libraries Unlimited, Westport, Connecticut · London |
|
| |
|
2005 |
"A Way of Knowing--A
Way of Telling," in DramaForum. Ed. by Anita Grunbaum,
Stockholm, Sweden. |
|
| |
|
2004 |
“Growing
Stories: Towards a Story-Based Curriculum,” in Studies
in English: Theoretical and Applied Linguistics. Ed. By József
Andor, József Horváth & Marianne Nikolov., Pécs,
Hungary. |
|
| |
|
2002 |
“Entering a Novel
Through the Eyes of a Doll: Creative Responses to an African Text,”
secondaryenglish.com, January 2002. Retrieve from http://www.secondaryenglish.com/enteringanovelthroughtheeyesofdoll.html |
|
| |
|
2001 |
“The Stories Project:
Storypartners in the Classroom,” with Jacy Ippolito, The
New Advocate, Volume, 14, Number 1, Winter 2001. |
|
| |
|
2001 |
“The Pitfalls and
Pleasures of Mindful Teaching,” The Journal of the Colorado
Language Arts Society, Special Double Issue, Successful Teaching
Activities, Volume 37, No.1, Fall 2000. |
|
| |
|
1999 |
“The Pitfalls and
Pleasures of Mindful Teaching,” an online publication of the
Center for Teaching Effectiveness, Fall 1999, Vol. 53. http://cte.udel.edu/aboutteach/fall99/king.html. |
|
| |
|
1997 |
"Stories, Imagemaking,
Storymaking and Drama: Innovative Techniques to Develop Oral and
Written Language when Teaching EFL," with Marianne Nikolov
in Learning Lessons: Education and Teacher Assessment, Pécs,
Hungary, pps 48-75. |
|
| |
|
1996 |
"Stories Within Stories:
Exploring Oral and Written Expression," NovELTy, Journal
of English Language Teaching and Cultural Studies in Hungary: Pecs,
(September 1996) pps 53-61. |
|
| |
|
1995 |
"Visions and Versions,"
Journal of the Society for Postsecondary Pedagogy, State
University of New York at New Paltz: NY. |
|
| |
|
1995 |
"Exploring a Novel:
Finding a Voice," Moa Martinson Journal, Moa Martinson
Society: Stockholm. |
|
| |
|
1993 |
with Sara Horowitz, "Interiors
and Edges: Reconfiguring Classroom Practice," Journal On Excellence
in College Teaching, Vol.4: Miami University. |
|
| |
|
1992 |
"Storymaking and Drama
with Two Groups of Hungarian Children," with Marianne Nikolov,
Modern English Teacher 1.2 (June, 1992): 1-8 (IATEFL Hungary
Issue). |
|
| |
|
1990 |
"Myth, Metaphor, Memory:
Archeology of the Self", Journal Of Humanistic Psychology,
Spring 1990, pp. 55-72. |
|
| |
|
1981 |
"From Literature to
Drama to Life," Children and Drama, edited by Nellie
McCaslin, 2nd edition, Longman: NY, pp. 164-177. |
|
| |
|
1981 |
"Music and Dance for
the Actor," The Cue, Vol. 59, No. 2, pp. 7-9, 18-21. |
|
| |
|
1981 |
"Helping Students
to Shape Their Learning Experience," About Teaching,
Center for Teaching Effectiveness, University of Delaware, December. |
|
| |
|
1980 |
"A Movement Approach
to Drama,"Drama Contact (Journal of the Council of Drama
in Education, Canada), May, pp. 16-17. |
|
| |
|
1978 |
"The Development of
Critical Thinking in Movement and Drama," Drama Contact,May,
pp. 39-42. |
|
| |
|
1977 |
"Report: Drama in
Education," Theatre News (Journal of the American Theatre
Association), Summer, pp. 28-30, 35; committee report. |
|
| |
|
1977 |
"Protecting Students
from Body Abuse," Theatre News, April, p. 4. |
|
| |
|
|
|
|
| |
|
Plays Written |
|
| |
|
2003 |
Lifelines (12 performances
in New Mexico) |
|
| |
|
1993-94 |
Until We Notice
(6 performances in Delaware and Pennsylvania)
1986 The Juniper Tree (14 performances in Delaware) Commissioned
by Delaware Humanities Forum |
|
| |
|
1982 |
Collision of Voices
(3 performances in Delaware) |
|
| |
|
1981 |
Silent Song (14
performances in Delaware) |
|
| |
|
1978 |
The Snow Queen (8
performances in Delaware, 1 performance at the American College
Theatre Festival, Maryland) |
|
| |
|
1977 |
Shaping Up (27 performances
in Delaware) |
|
| |
|
1974 |
The Clowns Who Thought
They Couldn't (3 performances in Delaware) |
|
| |
|
1970 |
Something About a Dragon
(17 performances in Delaware, Maryland and Pennsylvania) |
|
| |
|
1969 |
Splurgeris Iphikkon
(17 performances in Delaware, Maryland and Pennsylvania) |
|
| |
|
1968 |
Peter and the Wolf and
The Rescue of the Duck (19 performances in Delaware, Maryland
and Pennsylvania) |
|
| |
|
1966 |
Showdown at the Hoedown
(7 performances in Delaware) |
|
| |
|
1965 |
The Child Who Couldn't
Laugh (9 performances in Delaware) |
|
| |
|
|
|
|
| |
THEATRE WORK |
|
| |
|
|
|
| |
|
Production Work |
|
| |
|
2003 |
Lifelines, producer |
|
| |
|
1994 |
Until We Notice, director |
|
| |
|
1993 |
Until We Notice, co-director |
|
| |
|
1993 |
Pheenie Rising, director |
|
| |
|
1990 |
Inside Teaching, director of videotape |
|
| |
|
1989 |
Tales From the National Enquirer, co-director |
|
| |
|
1986 |
The Juniper Tree, producer |
|
| |
|
1983 |
Why Raven is No Longer, choreographer/dancer |
|
| |
|
1982 |
Collision of Voices, co‑director, producer |
|
| |
|
1981 |
Silent Song, director |
|
| |
|
1979 |
As You Like It, choreographer |
|
| |
|
1979 |
The Snow Queen, (Invitational Participant, American College Theatre Festival); director |
|
| |
|
1978 |
The Three Cuckholds, choreographer |
|
| |
|
1978 |
The Snow Queen, director |
|
| |
|
1977 |
Shaping Up, director |
|
| |
|
1975 |
Spreading Tales, director |
|
| |
|
1974 |
The Clowns Who Thought They Couldn't, director |
|
| |
|
1973 |
Power Play, director |
|
| |
|
1972 |
Maria Martin, choreographer |
|
| |
|
1971 |
The Acharnians, director of stage combat, movement, choreographer |
|
| |
|
1971 |
African Folktales, director |
|
| |
|
1970 |
Something About a Dragon, director |
|
| |
|
1969 |
Splurgeris Iphikkon, director |
|
| |
|
1968 |
Peter and the Wolf (parts 1 and 2), director, choreographer |
|
| |
|
1968 |
Dr. Faustus, director of movement |
|
| |
|
1967 |
Streets of New York, choreographer |
|
| |
|
1966 |
Showdown at the Hoedown, director, choreographer |
|
| |
|
1965 |
The Child Who Couldn't Laugh, director |
|
| |
|
|
|
|
| |
|
Production Booklets for Teachers |
|
| |
|
|
|
|
| |
|
1981 |
Silent Song |
|
| |
|
1977 |
Shaping Up |
|
| |
|
1975 |
Spreading Tales |
|
| |
|
1971 |
African Folktales |
|
| |
|
|
| |
PAPERS AND SEMINARS |
|
| |
|
|
| |
COURSES
DEVELOPED FOR THE UNIVERSITY HONORS PROGRAM,
UNIVERSITY OF DELAWARE |
|
| |
|
|
