There was once a village where the people enjoyed many years of prosperity. The rains came regularly and their crops flourished. In time, their grain bins were so full, one of them collapsed and the grains scattered. However the people had so much stored they left the grain where it was.

In a short time, birds found the grain and decided the village was a good place to live. When the people finished working in the fields, the birds flew down and began eating. The next morning, when the people saw how much grain the birds had eaten, they began to worry that the birds would find a way to eat the stored grain. So, when the birds flew down to eat, the people tried to shoo them away with noise. When this didn’t work, they shot arrows into the air, but this too failed to deter the birds.

The villagers called a meeting to discuss how to get rid of the birds. Although no one wanted to be the first person to mention the Old Man, he was on everyone’s mind. They looked at the Headman who said, “We shall soon starve if we do not rid our village of these birds. We have tried but nothing worked. Perhaps the Old Man will once again help us.” Everyone was silent. “It is true we chased him away because we were afraid of his magic but he is our only hope. I will go to him. Perhaps he will take pity on us and agree to return to help us.”

The next morning the Headman went in search of the Old Man. Although he was dressed in worn clothes and had little in the way of goods, the Old Man was not pleased to see the Headman, nor did he want to return to the village. But, when the Headman told him the children would starve if he didn’t help them, the Old Man agreed to return.

Before returning to the village, the Old Man collected roots and plants to make a powder. That evening, after the village thanked him for coming, he showed them how to dip their arrows into the powder and how to use them.

The leader of the birds saw the people with their bows and arrows, but he was not afraid and continued to eat. When the Old Man quietly said, “Now,” the villagers shot their arrows into the leader of the birds and killed him. Seeing this, the other birds flew away in fear.

The villagers held a great feast to honor the Old Man and for a time, all was well. Then, whispers began. People said, “If he has magic to kill the birds, he can kill us. We must tell him to go.” The whispers grew into a loud chorus and soon, the villagers forced the Old Man to leave.
In time, the birds returned. The villagers watched helplessly as their grain disappeared. Once again, they tried, but nothing stopped the birds from eating their grain. The villagers decided there was nothing to do but ask the Old Man to come back to help them.
​
The Headman told the Old Man of the village’s troubles and how sorry they were they asked him to leave. The Old Man listened carefully. Then he said, “No.”

The chief of the tribe gives two vases, one red and one blue, to a newly married couple--or, if no vases are available, two tins are used. One is for the husband, the other for the wife. They are also given a bag of mixed grains and broad beans. Daily the husband and wife each choose a single grain to put into his or her vase, according to what kind of day each has spent with the other. For example, a red bean signifies a quarrel or anger, corn means a very good day with much joy. A broad bean shows an exceptional day really perfect (this is rare), and a lentil means a day of peace and harmony with no note of discord. The husband and wife continue putting a grain into the vase every day without showing each other which one they put in, until after a certain time when they empty the vases in front of each other. When they have seen the grains, they are put back in the bag, and the couple begins again. When both vases are shown to contain only lentils--the sign of harmony between the husband and wife--the couple plants these lentils. They create images of a man and a woman out of the earth in which they have planted the lentils to bless the newly planted seeds.

Long ago a poor shepherd boy lived with his grandmother in a yurt (a felt tent), in the middle of the Mongolian steppes. Each day Suho rose early to help his grandmother prepare breakfast before going out to take care of their small flock of sheep. As he kept watch he sang, and his rich voice rose over the grassy plains, breaking the stillness of the day.

One night, when Suho did not return home at his usual time, his grandmother and the other shepherds worried that something terrible had happened. Yet before the next rising of the sun, Suho appeared, carrying a newborn foal in his arms. Beaming with happiness, he told them how he had found the little one too weak to stand, with no mother or master around to feed him. "I was afraid the wolves would eat him so I brought him home."

Days went by and the colt grew strong and healthy under Suho's devoted care. The horse helped Suho look after the sheep, even staving off a bunch of wolves. Suho caressed the horse, rubbing him down, speaking to it as if it were his brother. "White horse, you fought well and bravely. The sheep are safe because of you. I will never forget you." As the years passed, Suho and the horse were inseparable. If his grandmother wanted Suho, she called to his horse.

One day, news spread that the governor declared he would give the hand of his daughter to the man who won the big race. The shepherds of Suho's village urged him to enter, knowing Suho's horse was the finsest and fastest of all the horses. The day of the race, noblemen from all over the country came, riding fine horses, wearing silk clothing, but Suho paid them no mind. When the signal to begin was given, Suho and his white horse took off like the wind, easily winning the race.

Yet when the governor saw that the winner was only a poor shepherd boy, he gave him three pieces of silver and told him to be on his way, without the white horse—for the governor had decided to keep him. Suho retorted, "I came to win a race, not to lose my horse."

"Insolent beggar," shouted the governor. "You dare to answer me back? Guards, take him to the outskirts of the city and make sure he does not return." The guards rushed to obey their master's commands, leaving Suho beaten and bleeding at the edge of the city. He might have died there had not some shepherds nursed his wounds. Suho grieved the loss of his horse, his friend, his companion, but there was nothing he could do to get him back.

Meanwhile, the governor decided to hold a great feast to show off his fine horse. When the time came, the horse, richly bridled and saddled, was brought in for the governor to ride. As his guests admired the impressive horse, the governor heaved himself into the saddle and lightly flicked his whip. The great horse bucked and reared, throwing the governor onto the ground. He neighed once and then galloped off on the steppes, swift as the wind.

The governor shouted to his guards, "Go after him. Catch him if you can, but if you miss, shoot him with your arrows. Do not let him get away alive." The guards did as they were told but they could not catch him for the white horse ran too fast. Although they shot their arrows into his flanks, he kept galloping, leaving the guards in the dust.

Late that evening, when Suho was intoning his nightly lament, mourning the loss of his horse, he heard a noise outside the yurt and went to look. There, panting, with blood gushing out of his wounds, Suho saw his friend. Gently, he removed the arrows and bathed the wounds but the horse grew weaker. Just before the sun rose, his beloved horse died.

Shattered by grief, Suho lay sleepless night after night. He grew listless, forgetting to eat for days at a time. Then, one night, the white horse appeared to him in a dream, nuzzling Suho fondly. "Suho," said the horse in a soft voice, "you must not continue to mourn for me. Take my bones, hide, hair, and sinews and make them into an instrument to play upon when you sing. If you do this, I will remain with you forever.

Suho woke and followed the instructions he had heard in his dream, fashioning an instrument from the bones, hide, hair, and sinews of his beloved horse, ornamented by the figure of the horse's head which he lovingly carved.

Suho drew the bow across the strings as he sang about the joys of riding his beloved horse, his grief at losing him, his sorrow when the horse died. Always, he sensed the presence of his white horse.
​
Others made horse-headed fiddles like the one Suho created. Even today, if you travel to the vast steppes of Mongolia, you will hear the songs created by Suho to honor the memory of his beloved friend, the white horse.